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Podcast: Play in new window | Download (Duration: 1:57:18 — 121.4MB)

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McDonalds, TV pilots, Elvis, and foot massages – just the usual topics of conversation between gangsters, drug users, hitmen, and criminals, at least in Quentin Tarantino’s world. The release of the writer/director’s heavily-lauded PULP FICTION in 1994 was a groundbreaking moment for both Tarantino and movies, and its pop culture-obsessed characters and narrative-jumbling structure influenced the next decade or so of cinema (for better or worse).

Do Pulp Fiction’s accolades remain as bright and shiny as whatever’s in that briefcase? Or are we right in striking down upon thee with great vengeance and furious anger? Join us for an expletive-filled adventure back to the ’90s – seriously, make the kiddos cover their ears for this one.

This is Part 2 of our Tarantino-thon! Listen to Part 1 where we revisited NATURAL BORN KILLERS and RESERVOIR DOGS here: https://themfp.org/wwwy-103-naturalbornkillers/

Follow When We Were Young on Twitter and Instagram at @WWWYshow, on Facebook at Facebook.com/WWWYShow and email episode suggestions to wwwyshow@gmail.com. Don’t forget to subscribe and review us on Apple Podcasts and Google Podcasts (or wherever you get your podcasts) so more folks check out the show!

Help us defray the costs of creating this show, which include recording remotely, purchasing movies/shows/music to review, delivery food to eat our feelings, and producing & editing in-house at the MFP Studio in Los Angeles, California by donating to our Patreon account at patreon.com/WhenWeWereYoung

Podcast: Play in new window | Download (Duration: 1:33:04 — 101.6MB)

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Hollywood got a double dose of ultraviolence in 1994 with the release of not one but two postmodern, blood-soaked meditations on pop culture and the media from a new and exciting filmmaker named Quentin Tarantino.

The first of these, NATURAL BORN KILLERS, directed by Oliver Stone, was so controversial at the time that Tarantino himself disavowed it (along with a sizeable portion of moviegoers and critics). Nearly 30 years after its release, there’s still a lot to discuss and debate about Mickey and Mallory and whether its satiric and satanic take on the media remains relevant.

There’s also quite a lot to say about the eccentric writer/director’s pre-1994 films TRUE ROMANCE and RESERVOIR DOGS, as well as his influence on ’90s cinema as a whole. That’s why this is just Part 1 of our Tarantino deep-dive—so make sure you tune in for our talk on his arguable (and yes, we do argue) masterpiece PULP FICTION in Part 2!

Follow When We Were Young on Twitter and Instagram at @WWWYshow, on Facebook at Facebook.com/WWWYShow and email episode suggestions to wwwyshow@gmail.com. Don’t forget to subscribe and review us on Apple Podcasts and Google Podcasts (or wherever you get your podcasts) so more folks check out the show!

Help us defray the costs of creating this show, which include recording remotely, purchasing movies/shows/music to review, delivery food to eat our feelings, and producing & editing in-house at the MFP Studio in Los Angeles, California by donating to our Patreon account at patreon.com/WhenWeWereYoung

Podcast: Play in new window | Download (Duration: 1:15:21 — 62.8MB)

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Cinematographer-turned-director Jan De Bont never met a mode of transportation he didn’t want to blow up, and it all started with SPEED (1994), the action-thriller that whittled Keanu Reeves into the wooden king of turn-your-brain-off blockbusters (see also: the Matrix and John Wick franchises). This high-concept hit has one of the most iconic movie plots of all time, with madman Dennis Hopper planting a bomb on a city bus that will go boom if the odometer falls under 50 MPH. Fortunately, a very plucky Sandra Bullock is on hand to help careen through Los Angeles’ notorious rush hour traffic and quip some snappy one-liners in her star-making role.

And if all those elevators, buses, and subway cars make you claustrophobic, you’re in luck! We’ve also booked a honeymoon suite aboard SPEED 2: CRUISE CONTROL (1997), De Bont’s Caribbean-set sequel that finds Sandra Bullock and Almost Keanu taken hostage on a cruise ship by yet another disgruntled psycho. (After a half-dozen mai tais, you’ll swear it’s Titanic!)

So join us as your favorite hotshots take a pop quiz that asks just one question — is Speed still worth the ride, or should we hit the brakes?

When We Were Young is a podcast devoted to the most beloved pop culture of our formative years (roughly 1980-2000). Join us for a look back to the past with a critical eye on how these movies, songs, TV shows and more hold up now. Follow us on Twitter and Instagram at @WWWYshow, on Facebook at Facebook.com/WWWYShow and email your episode suggestions to wwwyshow@gmail.com. Don’t forget to subscribe and review us on iTunes so more folks check out the show!

Help us defray the costs of creating this show, which includes purchasing movies/shows/music to review, delivery food to eat our feelings, and producing & editing in-house at the MFP Studio in Los Angeles, California, by donating to our Patreon account at patreon.com/WhenWeWereYoung

Podcast: Play in new window | Download (Duration: 1:50:03 — 89.0MB)

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There’s something about Michael — Michael Douglas, that is. The actor has starred in the top 3 highest-grossing erotic thrillers of all time: FATAL ATTRACTION (1987), BASIC INSTINCT (1992) and DISCLOSURE (1994), where he was the object of obsession for a lonely psychopath, a conniving man (and woman) eater, and a lecherous ladder-climber. What is it about him that drives the ladies wild?

In our latest episode, we take a look back at these femme fatales and the man that ties them all together to touch on Hollywood’s view of sexually aggressive career women, sexual harassment in the workplace, and most importantly the wonders of receiving an email in the early days of the Internet.

Better hide your bunny, dear listener, because we won’t be ignored.

When We Were Young is a podcast devoted to the most beloved pop culture of our formative years (roughly 1980-2000). Join us for a look back to the past with a critical eye on how these movies, songs, TV shows and more hold up now. Follow us on Twitter and Instagram at @WWWYshow, on Facebook at Facebook.com/WWWYShow and email your episode suggestions to wwwyshow@gmail.com. Don’t forget to subscribe and review us on iTunes so more folks check out the show!

Help us defray the costs of creating this show, which includes purchasing movies/shows/music to review, delivery food to eat our feelings, and producing & editing in-house at the MFP Studio in Los Angeles, California, by donating to our Patreon account at patreon.com/WhenWeWereYoung.

Podcast: Play in new window | Download (126.2MB)

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Somebody stop us! In Episode 21, the When We Were Young podcast says “alrighty, then!” to a trip back to 1994, when Jim Carrey soared to superstar status in three back-to-back blockbusters: DUMB & DUMBER, THE MASK, and ACE VENTURA: PET DETECTIVE.

We’re not just talking out of our asses here. Clearly, Carrey was one of the most bankable stars of our youth… but how do his rubber-faced hijinks hold up when viewed for the first time as adults? Are these comedies still sssmokin’ – or do misogyny and homophobia end up making everyone involved look like a LOOHOOO-SE-HER?

It’s the most eye-popping, jaw-dropping, fourth-wall-breaking, catchphrase-spewing, Cameron Diaz-introducing episode of the podcast yet! Fire up your ’84 sheepdog, kill a couple pretty birds, and prepare to hear the most annoying sound on Earth as we spend an entire year with Jim Carrey! (Seriously… won’t somebody stop us?)

When We Were Young is a podcast devoted to the most beloved pop culture of our formative years (roughly 1980-2000). Join us for a look back to the past with a critical eye on how these movies, songs, TV shows and more hold up now. You can follow us on Twitter at @WWWYshow, on Facebook at @WWWYShow, you can Email us at wwwyshow@gmail.com, and don’t forget to subscribe and review us on iTunes!

You can help us defray the costs of creating this show, which include purchasing movies/shows/music to review, ordering delivery food to eat our emotions, and producing & editing in-house at the MFP Studio in Los Angeles CA, by donating to our Patreon account at patreon.com/WhenWeWereYoung